{"id":6,"date":"2010-10-25T14:37:21","date_gmt":"2010-10-25T14:37:21","guid":{"rendered":"http:\/\/degelingartist.wordpress.com\/"},"modified":"2020-11-27T10:58:14","modified_gmt":"2020-11-27T10:58:14","slug":"drawings","status":"publish","type":"page","link":"https:\/\/degelingartist.com\/wordpress\/?page_id=6","title":{"rendered":"Drawings"},"content":{"rendered":"
\"\"<\/a>
Margareth Degeling, Visual Artist and Art Director Museum M.A.C. House Leusden.<\/figcaption><\/figure>\n

\"\"<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

1. \u201cThe Thread of Ariadne I \u201c,\u00a0 Pencil on Perforated Paper with Embroyderies \/ L\u00e1piz sobre Papel Perforado con Partes Bordados 10 x 10 cm 2010. These “Threads of Ariadne\u201d, were used as leitmotif in video composition \u201cThe Strophes of Sappho\u201d by composer Jan Freidlin.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

\n

\"\"<\/a><\/p>\n

2. \u201cThe\u00a0 Thread of Ariadne II \u201c, Pencil on Perforated Paper with Embroyderies \/ L\u00e1piz sobre Papel Perforado con Partes Bordados 10 x 10 cm 2010. These Threads of Ariadne\u201d, were used as leitmotif in video composition \u201cThe Strophes of Sappho\u201d by the composer Jan Freidlin.<\/p>\n

 <\/p>\n

\"\"<\/p>\n

3. \u201cThe Thread of Ariadne III \u201c, Pencil on Perforated Paper with Embroyderies \/ L\u00e1piz sobre Papel Perforado con Partes Bordados 10 x 10 cm, 2010. These “Threads of Ariadne” were used, as leitmotif in video composition\u00a0 \u201cThe Strophes of Sappho\u201d by the composer Jan Freidlin.<\/p>\n

.-.-.-.<\/p>\n

Drawings charcoal – Series ‘Bailando el Tango Argentino’<\/p>\n

\"\".-.-.-.<\/p>\n

\"\"<\/a>
5. \u201c Pleasure Garden \u201d\/ \u201c El Jard\u00edn de Placer \u201c Perforated Paper \/ Papel Perforado 30 x 40 cm 2007<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

“Pleasure Garden” has been exhibited, as part of Solo Exhibition “The Garden of Eden” in “Galer\u00eda de la Ciudad”, Tecate – Mexico in 2007 and in Museum M.I.D.A.C., Belforte del Chienti, Itali\u00eb in 2008.<\/em><\/p>\n

.-.-.-.<\/p>\n

\"\"
6. \u201cAfter Eden\u201d\/ \u201cDespu\u00e9s del Ed\u00e9n\u201d Perforated Paper \/ Papel Perforado 30 x 40 cm 2007<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

“After Eden” has been exhibited as part of solo exhibition ‘The Garden of Eden’ in Galer\u00eda de la Ciudad, Tecate – Mexico in 2007 and in Museum M.I.D.A.C., Belforte del Chienti – Italy in 2008<\/em><\/p>\n

 <\/p>\n

.-.-.-.<\/p>\n

\"\"
\u201cForbidden fruit \u201c\/ \u201cFruta Prohibida \u201c Perforated Paper \/ Papel Perforado 22 x 60 m 2007<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

“Forbidden Fruit” has been exhibited in ‘Galer\u00eda de la Ciudad’, Tecate – Mexico, 2007 and Museum M.I.D.A.C., Italy in 2008<\/em><\/p>\n

.-.-.-.<\/p>\n

\"\"<\/a>
\u201cLost in Temptation\u201d Drawing of Red, Black and White Chalk On Paper 19 x 28,5 cm 2007<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

“Lost in Temptation” has been exhibited in both “Galer\u00eda de la Ciudad”, Tecate – Mexico and in Museum M.I.D.A.C., Museum of International and Dynamic Contemporary Art, Italy<\/em><\/p>\n

.-.-.-.<\/p>\n

\"\"<\/a>
Details of \u201c Intimacy and Vulnerability \u201d\/ Detalles de \u201c Intimidad y Vulnerabilidad \u201c Installation of 9 Drawings of Red, White and Black Chalk \/ Instalaci\u00f3n de 9 Dibujos de Tiza de colores Rojo, Blanco y Negro On paper in small Wooden Frames \/ sobre Papel en Marvas Peque\u00f1as de Madera 12 x 17 x 3 cm each \/ cada uno 2007<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

The Serie “Intimacy and Vulnerability” were exhibited in Museum M.I.D.A.C., Italy 2008 and in Galer\u00eda de la Ciudad, Mexico in 2007<\/em><\/p>\n

.-.-.-.<\/p>\n

\"\"<\/a>
\u201cIntimacy and Vulnerability \u201d \/ \u201cIntimidad y Vulnerabilidad \u201c, Installation of 9 Drawings of Red, White and Black Chalk, Instalaci\u00f3n de 9 Dibujos de Tiza de colores Rojo, Blanco y Negro On Paper in Wooden Frames \/ sobre Papel en Marcas Peque\u00f1as de madera 12 x 17 x 3 cm each \/ cada uno 2007<\/figcaption><\/figure>\n

 <\/p>\n

.-.-.-.<\/p>\n

\"\"<\/a>
\u201cMythological Landscape\u201d\/ \u201cPa\u00edsaje Mitol\u00f3gico\u201d Drawing of Charcoal, Gouache and Egg-distemper on Paper \/ Dibujo de Carb\u00f3n, Gouache, Temple de Huevo sobre Papel 20 x 30 cm 2004 Work exhibited \/Exhibici\u00f3n en \u201cMario Covas Theatre\u201d, Caraguatatuba, Brasil en 2006 Other version of this drawing in Charcoal , DinA4 Size in Int. Project DinA4, Malag\u00e1, Spain<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

“Mythological Landscape” has been exhibited in “Mario Covas Theatre”, Caraguatatuba – Brasil in 2006 and in International Art Project DIN A4, Malaga – Spain<\/em><\/p>\n

.-.-.-.<\/p>\n

\"\"<\/a>
\u201cMythological Landscape II \u201c \/ \u201cPaisaje de Mitol\u00f3gico\u201d Drawing of Charcoal, Gouache and Egg-distemper on paper \/ Dibujo de Carb\u00f3n, Gouache, Temple al Huevo sobre Papel 20 x 30 cm 2004<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

“Mythological Landscape II” has been exhibited in ‘Mario Covas Theatre’, Caraguatatuba – Brasil in 2006<\/em><\/p>\n

.-.-.-.<\/p>\n

\"\"<\/a>
\u201c Once upon a Time \u201d\/\u201d Hab\u00eda Una Vez \u201c Drawing of Charcoal, Gouache and Egg-distemper on Paper \/ Dibujo de Carb\u00f3n, Gouache, Temple de Huevo sobre papel 20 x 30 cm 2004<\/figcaption><\/figure>\n

-.-.-.-<\/p>\n

“Once upon a Time” has been exhibited in Mario Covas Theathre, Cargauatatuba – Brasil in 2006 and in International Art Project DIN A4, Malaga – Spain<\/em><\/p>\n

.-.-.-.<\/p>\n

\"\"<\/a>
“Black and White Landscape\u201d \/ \u201c Pa\u00edsaje de Negro y Blanco \u201c Drawing of Charcoal, Gouache and Egg-distemper on Paper\/ Dibujo de Carb\u00f3n, Gouache, Temple de Huevo sobre papel 20 x 30 cm 2005<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

\"\"<\/a>
\u201cCalling for Justice\u201d\/ \u201cLlamando a Justicia\u201d 20 x 30 cm 2005<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

“Calling for Justice”, has been made for International Art Project, organized by “M.I.A.D. Venado Tuerto”, Santa Fe – Argentina in 2006<\/em><\/p>\n

.-.-.-.<\/p>\n<\/div>\n

\"\"<\/a>
Charcoal on Paper 30 x 40 cm<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

\"\"<\/a>
“Itimacy and Vulnerability”, Red, Black and White Chalk on Paper, 20 x 30 cm<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

\"\"<\/a>
“Intimacy and Vulnerability” Red, White, Black Chalk on Paper, 20 x 30 cm<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

\"\"<\/a>
“Intimacy and Vulnerability”, Red, Black and White Chalk on Paper, 20 x 30 cm<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

\"\"<\/a>
“Intimacy and Vunerability”, Red, Black and White Chalk on Paper, 20 x 30 cm<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

\"\"<\/a>
Bailando I – Charcoal on Paper, 30 x 40 cm<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

\"\"<\/a>
Bailando II\u00a0 – Charcoal on Paper, 30 x 40 cm<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

\"\"<\/a>
Bailando III – Charcoal on Paper, 30 x 40 cm<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

\"\"<\/a>
Bailando IV – Charcoal on Paper, 24 x 24 cm, including frame<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

\"\"<\/a>
Bailando V – Charcoal on paper, 30 x 40 cm<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

\"\"<\/a>
Series ‘Bailando el Tango Argentino’<\/figcaption><\/figure>\n

.-.-.-.<\/p>\n

“Series Bailando I, II, III, IV and V have been exhibited in Cultural Building V420, Utrecht – The Netherlands in 2014<\/em><\/p>\n

.-.-.-.<\/p>\n","protected":false},"excerpt":{"rendered":"

    1. \u201cThe Thread of Ariadne I \u201c,\u00a0 Pencil on Perforated Paper with Embroyderies \/ L\u00e1piz sobre Papel Perforado con Partes Bordados 10 x 10 cm 2010. These “Threads of Ariadne\u201d, were used as leitmotif in video composition \u201cThe Strophes of Sappho\u201d by composer Jan Freidlin.         2. \u201cThe\u00a0 Thread of […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-6","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/degelingartist.com\/wordpress\/index.php?rest_route=\/wp\/v2\/pages\/6","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/degelingartist.com\/wordpress\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/degelingartist.com\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/degelingartist.com\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/degelingartist.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6"}],"version-history":[{"count":91,"href":"https:\/\/degelingartist.com\/wordpress\/index.php?rest_route=\/wp\/v2\/pages\/6\/revisions"}],"predecessor-version":[{"id":2429,"href":"https:\/\/degelingartist.com\/wordpress\/index.php?rest_route=\/wp\/v2\/pages\/6\/revisions\/2429"}],"wp:attachment":[{"href":"https:\/\/degelingartist.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}